Prints

With one exception,* these are limited edition prints are made by the artist with oil-based inks on archival quality paper. The blocks are carved by hand, often from plywood. 'Reduction' means that only one piece of plywood was used; the print emerges by reducing the printable surface area.

 

The American Sign Language series examines how advertising and consumer culture shape our identities and values.

 

* Part of Intersection for the Arts' 40 YEARS/INFINITE VIEWS Box Set). Inkjet reproduction of a painting on archival paper by Trillium Press (now SF Electric Works). Hand-applied acrylic and conté by the artist.

Images

  1. Untitled, Inkjet, acrylic and conté, created with Trillium Press., 13.5" x 13.5", 2005, Inquiries: please contact Intersection.
  2. American Sign Language #1, reduction woodcut print, 11" x 15", 1998
  3. American Sign Language #2, reduction woodcut print, 11" x 15", 1998
  4. American Sign Language #3, reduction woodcut print, 11" x 15", 1999
  5. American Sign Language #4, reduction woodcut print, 11" x 15", 1999
  6. Cultural Landscape #1, reduction woodcut print, 64" x 72" in six prints, 1998
  7. Cultural Landscape #2, reduction woodcut print, 96" x 24" (triptych), 1999
  8. Martini-Ganesh, reduction woodcut print, 22”x30” 1996.
  9. Alice in CK1derland, reduction woodcut print, 22”x30” 1998
  10. Master, reduction woodcut print, 22”x30” 1996
  11. The Monkey Monk, reduction woodcut print, 22”x30”, 1996
  12. Self-Portrait as Computer Saint, reduction woodcut print, 22”x30”, 1998